"Sandra Dudley brings unique and valuable insights into the field
of forced migration both through her study of the Karenni refugees
in Thailand, an overlooked group of refugees who have fled dire
circumstances of counter/insurgency and destruction, and a material
culture disciplinary lens. This is an eloquently composed text with
high scholarly merits." . Hazel Lang, Australian National
University
Focusing on the highly diverse Karenni refugee population living
in camps on the Thai-Burma border, this innovative book explores
materiality, embodiment, memory, imagination, and identity among
refugees, providing new and important ways of understanding how
refugees make sense of experience, self, and other. It examines how
and to what ends refugees perceive, represent, manipulate, use as
metaphor, and otherwise engage with material objects and spaces,
and includes a focus on the real and metaphorical journeys that
bring about and perpetuate exile.
The combined emphasis on both displacement and materiality, and
the analysis of the cultural construction and intersections of
exilic objects, spaces, and bodies, are unique in the study of both
refugees and material culture. Drawing theoretical influences from
phenomenology, aesthetics, and beyond, as well as from refugee
studies and anthropology, the author addresses the current lack of
theoretical analysis of the material, visual, spatial, and embodied
aspects of forced migration, providing a fundamentally interlinked
analysis of enforced exile and materiality.
Sandra Dudley has worked with and on Karenni refugees since
1996, completing her doctorate in Social Anthropology at the
University of Oxford in 2001. She is currently a Lecturer in the
Department of Museum Studies, University of Leicester, having
previously taught at Oxford and UEA and worked at the Pitt Rivers
Museum."
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