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Actional Poetics – ASH SHE HE - The Performance Actuations of Alastair MacLennan, 1971–2020 (Paperback)
Loot Price: R916
Discovery Miles 9 160
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Actional Poetics – ASH SHE HE - The Performance Actuations of Alastair MacLennan, 1971–2020 (Paperback)
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A retrospective monograph of Alistair MacLennan’s performance art
practice, its influence on the Belfast art scene, and its
relationships with wider art histories. This new book is the most
comprehensive and complete legacy monograph about Alastair
MacLennan’s extensive performance practice Alastair MacLennan is
emeritus professor of fine art, School of Art and Design, Ulster
University in Belfast. He is one of Britain’s major practitioners
in live art, and travels extensively in Eastern and Western Europe,
also America and Canada, presenting ‘Actuations’ (his term for
performance/installations). MacLennan is a founding member
of Belfast's Art and Research Exchange, of Belfast's Bbeyond
performance collective and is a member of the performance art
entity Black Market International. He has represented Ireland at
the Venice Biennale (1997) and is an honorary associate of the
National Review of Live Art, Glasgow, Scotland. There is a wide
variety of approach in the essays, ranging from descriptive to
interpretive. Some set the work in historical context and others
provide pertinent biography. This variety is appropriate – and
perhaps even necessary – in looking at the work of a living
artist whose work is particularly complex. The selection of essays
presents a complex body of work in an understandable way, with each
writer allowed to address the art in their own terms. Placing the
work in historical context is important but presenting MacLennan as
an influential teacher is also important. Includes a significant
contribution from Adrian Heathfield (professor of performance and
visual culture at Roehampton, UK) who has written an extended essay
on MacLennan’s oeuvre, focusing on its use of materials and its
creation of sculptural environments. Discussing the artist’s
deployment of slow-time action and contemplative space, Heathfield
sees MacLennan’s work as activating sustained contact with the
elemental and locates MacLennan’s work as a significant
intervention in performance art history globally and discusses the
politics of its engagement with local history, violence, social
conflict and memory. The primary readership will be academics,
researchers and scholars working in performance art and
contemporary art in general. Also valuable to students in
performance art, visual arts and related practices. Of relevance to
academics and artists in the interrelated fields of performance
art, art and philosophy, critical theory, conflict studies and Zen
philosophy.
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