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Space and Time in Epic Theater - The Brechtian Legacy (Hardcover)
Loot Price: R2,286
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Space and Time in Epic Theater - The Brechtian Legacy (Hardcover)
Series: Studies in German Literature Linguistics and Culture
Expected to ship within 12 - 17 working days
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The development of epic theater before, during, and after Brecht's
time, and analysis of epic productions, showing the form's
continued relevance. Bertolt Brecht and the director Erwin Piscator
developed epic theater in the 1920s because they found Western
realism limited to the single perspective of an individual, and
thus unable to confront the new realities: technologicalwarfare,
revolution, the metropolis, and the mass media, among others. The
epic stage juxtaposed the old media of actors and scenery with new
media, including film, photography, and electronic sound.
Bryant-Bertail provides analyses of theatrical productions in the
epic tradition from before, during, and after Brecht's lifetime:
Hasek's The Good Soldier Schwejk directed by Piscator; Mother
Courage written and directed by Brecht; Lenz's The Tutor directed
by Brecht; Ibsen's Peer Gynt in productions directed by Peter Stein
and Rustom Bharucha; Buchner's Leon and Lena (& Lenz) directed
by JoAnne Akalaitis; and Les Atrides (The House of Atreus) from
Aeschylus and Euripides, directed by Ariane Mnouchkine.
Bryant-Bertail shows that epic theater's relevance for politically
engaged artists lies in its discovery that history, fate, and human
nature are spatio-temporal constructs that may be reconstructed on
stage. Sarah Bryant-Bertail is associate professor in the School of
Drama at the University of Washington.
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