The modernist awareness of contingency is variously prefigured in
German narrative discourse around 1800. In the course of the
accounts of their lives, the characters in the novels AAgathonA
(Wieland), ASiebenkAsA (Jean Paul), and AGodwiA (Brentano) are
repeatedly confronted with coincidences befalling them, while the
texts themselves are full of reflections indicating that the order
and meaning they impose on the material could always have been
different. The study examines the various modes of enactment
employed in connection with narrative contingency, using the
contingency concept to take a new perspective on the major literary
epoch around 1800.
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