F. Scott Fitzgerald and Ernest Hemingway might have been
contemporaries, but our understanding of their work often rests on
simple differences. Hemingway wrestled with war, fraternity, and
the violence of nature. Fitzgerald satirized money and class and
the never-ending pursuit of a material tomorrow. Through the
provocative arguments of Scott Donaldson, however, the affinities
between these two authors become brilliantly clear. The result is a
reorientation of how we read twentieth-century American
literature.
Known for his penetrating studies of Fitzgerald and Hemingway,
Donaldson traces the creative genius of these authors and the
surprising overlaps among their works. Fitzgerald and Hemingway
both wrote fiction "out" of their experiences rather than "about"
them. Therefore Donaldson pursues both biography and criticism in
these essays, with a deep commitment to close reading. He traces
the influence of celebrity culture on the legacies of both writers,
matches an analysis of Hemingway's Spanish Civil War writings to a
treatment of Fitzgerald's left-leaning tendencies, and contrasts
the averted gaze in Hemingway's fiction with the role of
possessions in "The Great Gatsby." He devotes several essays to
four novels, "Gatsby," "Tender Is the Night," "The Sun Also Rises,"
and "A Farewell to Arms," and others to lesser-known short stories.
Based on years of research in the Fitzgerald and Hemingway archives
and brimming with Donaldson's trademark wit and insight, this
irresistible anthology moves the study of American literature in
bold new directions.
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