Neoclassicism in Music - From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic (Paperback, New edition)

The first historical and critical study of neoclassicism from the genesis of the concept in fin de siecleFrance in the 1870s through the Schoenberg/Stravinsky polemic. By the end of the nineteenth century the traits of "classicism" in music had become clearly established. This codification cast long shadows over contemporary artists, encouraging a movement away from order, continuity and tradition towards freedom, innovation and novelty - and the term neoclassicism made its first appearance. This study, the first ever critical examination of "neoclassicism" in music, provides a broad cultural context for the investigation of its origins, then looks in turn at Wagner and the French reaction to him; Saint-Saens, d'Indy, Debussy, Ravel and their French contemporaries; Germany and France in the decade which includes the First World War, with special reference to Thomas Mann and Ferrucio Busoni, and to Jean Cocteau and the "New Simplicity"; and Igor Stravinsky, the composer most frequently cited in connection with this term. Reprint; first published 1988.

General

Imprint:	University of Rochester Press
Country of origin:	United States
Release date:	1988
First published:	1988
Authors:	Scott Messing (Author)
Dimensions:	229 x 152 x 13mm (L x W x T)
Format:	Paperback - Trade
Pages:	240
Edition:	New edition
ISBN-13:	978-1-878822-73-4
Categories:	Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music Books > Music > Western music, periods & styles > 20th century music
LSN:	1-878822-73-X
Barcode:	9781878822734

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