In Discorrelated Images Shane Denson examines how
computer-generated digital images displace and transform the
traditional spatial and temporal relationships that viewers had
with conventional analog forms of cinema. Denson analyzes works
ranging from the Transformers series and Blade Runner 2049 to
videogames and multimedia installations to show how what he calls
discorrelated images-images that do not correlate with the
abilities and limits of human perception-produce new
subjectivities, affects, and potentials for perception and action.
Denson's theorization suggests that new media theory and its focus
on technological development must now be inseparable from film and
cinema theory. There's more at stake in understanding discorrelated
images, Denson contends, than just a reshaping of cinema, the
development of new technical imaging processes, and the evolution
of film and media studies: discorrelated images herald a
transformation of subjectivity itself and are essential to our
ability to comprehend nonhuman agency.
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