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Music from behind the Bridge - Steelband Aesthetics and Politics in Trinidad and Tobago (Hardcover)
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Music from behind the Bridge - Steelband Aesthetics and Politics in Trinidad and Tobago (Hardcover)
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A symbol of Trinidadian culture, the steelband has made an
extraordinary transformation since its origins-from junk metal to
steel orchestra, and from disparaged underclass pastime to Trinidad
and Tobago's national instrument. Now, Shannon Dudley gives the
first discerning look at the musical thinking that ignited this
transformation, and the way it articulates with Afro-Trinidadian
tradition, carnival, colonial authority, and nationalist politics.
Music from behind the Bridge tells the story of the steelband from
the point of view of musicians who overcame disadvantages of
poverty and prejudice with their extraordinary ambition. Literally
referring to the poor neighborhoods nestled in the hills bordering
Port of Spain to the East, "Behind the Bridge" is also a metaphor
for conditions of social disadvantage and cultural resistance that
shaped the steelband movement in the various Afro-Trinidadian
communities where it first took root.
The book further explores the implications of the steelband's
"nationalization" in post-independence Trinidad and Tobago, and
contemporary steelband musicians' preoccupation with the formally
adjudicated annual Panorama competition. In discussing the
intersection of musical thinking, festivity, and politics, this
book connects important questions about the history of the
steelband to general questions about the relation between popular
culture and nationalism.
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