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Whose Harlem Is This, Anyway? - Community Politics and Grassroots Activism during the New Negro Era (Hardcover)
Loot Price: R2,858
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Whose Harlem Is This, Anyway? - Community Politics and Grassroots Activism during the New Negro Era (Hardcover)
Series: Culture, Labor, History
Expected to ship within 18 - 22 working days
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2015 Choice Outstanding Academic Title Winner of the Anna Julia
Cooper/CLR James Award for Outstanding Book in Africana Studies
presented by the National Council for Black Studies Demonstrates
how Harlemite's dynamic fight for their rights and neighborhood
raised the black community's racial consciousness and established
Harlem's legendary political culture In Whose Harlem Is This,
Anyway?, Shannon King vividly uncovers early twentieth century
Harlem as an intersection between the black intellectuals and
artists who created the New Negro Renaissance and the working class
who found fought daily to combat institutionalized racism and
gender discrimination in both Harlem and across the city. New Negro
activists, such as Hubert Harrison and Frank Crosswaith, challenged
local forms of economic and racial inequality in attempts to
breakdown the structural manifestations that upheld them. Insurgent
stay-at-home black mothers took negligent landlords to court,
complaining to magistrates about the absence of hot water and heat
in their apartment buildings. Black men and women, propelling
dishes, bricks, and other makeshift weapons from their apartment
windows and their rooftops, retaliated against hostile policemen
harassing blacks on the streets of Harlem. From the turn of the
twentieth century to the Great Depression, black Harlemites
mobilized around local issues-such as high rents, jobs, leisure,
and police brutality-to make their neighborhood an autonomous black
community. In Whose Harlem Is This, Anyway?, Shannon King
demonstrates how, against all odds, the Harlemite's dynamic fight
for their rights and neighborhood raised the black community's
racial consciousness and established Harlem's legendary political
culture. By the end of the 1920s, Harlem had experience a labor
strike, a tenant campaign for affordable rents, and its first race
riot. These public forms of protest and discontent represented the
dress rehearsal for black mass mobilization in the 1930s and 1940s.
By studying blacks' immense investment in community politics, King
makes visible the hidden stirrings of a social movement deeply
invested in a Black Harlem. Whose Harlem Is This, Anyway? is a
vibrant story of the shaping of a community during a pivotal time
in American History.
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