This study attempts to re-evaluate Lawrence's poetry, which has
often been read as a set of biographical documents or supplementary
notes to his novels, as fully independent literary work in the
light of post-modern critical theory. The author carefully examines
how Lawrence needed to misread his precursors, the
nineteenth-century Romantics, to establish himself as one of the
modern poets. What separates his poetry from his precursors' is his
self-consciousness as a modern poet. His search for radical freedom
in language and his meta-poetic exploration of a new poetic
expression make him a true pioneer of the "terra incognita" in
English poetry.
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