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Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)

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New Perspectives on Marc-Antoine Charpentier (Hardcover, New Ed) Loot Price: R4,470
Discovery Miles 44 700
New Perspectives on Marc-Antoine Charpentier (Hardcover, New Ed): Shirley Thompson

New Perspectives on Marc-Antoine Charpentier (Hardcover, New Ed)

Shirley Thompson

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Loot Price R4,470 Discovery Miles 44 700 | Repayment Terms: R419 pm x 12*

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The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier (1643-1704) as one of the most important and inventive composers of the French Baroque. The present book provides a snapshot of Charpentier scholarship in the early years of the new century. Its 13 chapters illustrate not only the sheer variety of strands currently pursued, but also the way in which these strands frequently intertwine and generate the potential for future research. Between them, they examine facets of the composer's compositional language and process, aspects of his performance practice and notation, the contexts within which he worked, and the nature of his legacy. The appendix contains a transcription of the inventory of Charpentier's manuscripts prepared when their sale to the Royal Library was negotiated in 1726 - an invaluable research tool, as numerous chapters in the book demonstrate. The wide variety of topics covered here will appeal both to readers interested in Charpentier's music and to those with a broader interest in the music and culture of the French Baroque, including aspects of patronage, church and theatre. Far from treating his output in isolation, this book places it in the wider context alongside such composers as Lully, Lalande, Marais, FranAois Couperin and Rameau; it also views the composer in relation to his Italian training. In the process, the under-examined question of influence - who influenced Charpentier? whom did he influence? - repeatedly comes to the fore. The book's Foreword was written by H. Wiley Hitchcock shortly before he died. Hitchcock's own part in raising the profile of Charpentier and his music to the level of recognition which it now enjoys cannot be emphasized enough. Appropriately the volume is dedicated to his memory.

General

Imprint: Ashgate Publishing Limited
Country of origin: United Kingdom
Release date: April 2010
First published: 2010
Editors: Shirley Thompson
Dimensions: 234 x 156 x 24mm (L x W x T)
Format: Hardcover
Pages: 414
Edition: New Ed
ISBN-13: 978-0-7546-6579-3
Categories: Books > Arts & Architecture > The arts: general issues > General
Books > Arts & Architecture > Performing arts > Theatre, drama > General
Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)
Books > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)
LSN: 0-7546-6579-8
Barcode: 9780754665793

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