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Modernism and Nation Building - Turkish Architectural Culture in the Early Republic (Paperback, New Ed)
Loot Price: R1,261
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Modernism and Nation Building - Turkish Architectural Culture in the Early Republic (Paperback, New Ed)
Series: Studies in Modernity and National Identity
Expected to ship within 10 - 15 working days
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Winner of the Alice Davis Hitchcock Award sponsored by the Society
of Architectural Historians Winner of the M. Fuat Koprulu Book
Prize in Turkish Studies sponsored by the Turkish Studies
Association With the proclamation of the Turkish republic by
Mustafa Kemal Ataturk in 1923, Turkey's political and intellectual
elites attempted to forge from the ruins of the Ottoman Empire a
thoroughly modern, secular, European nation-state. Among many other
public expressions of this bold social experiment, they imported
modern architecture as both a visible symbol and an effective
instrument of their modernizing agenda. They abandoned the
prevailing Ottoman revivalist style and transformed the entire
profession of architecture in Turkey according to the aesthetic
canons and rationalist doctrines of European modernism. In this
book, the architectural historian Sibel Bozdogan offers a cultural
history of modern Turkish architecture and its impact on European
modernism from the Young Turk revolution of 1908 to the end of the
Kemalist single-party regime in 1950. Drawing on official
propaganda publications, professional architectural journals, and
popular magazines of the day, Bozdogan looks at Turkish
architectural culture in its broad political, historical, and
ideological context. She shows how modern architecture came to be
the primary visual expression of the so-called republican
revolution--especially in the case of representative public
buildings and in the idealized form of the modern house. She also
illustrates Turkish architects' efforts to legitimize modern forms
on rational, scientific grounds and to "nationalize" them by
showing their compatibility with Turkish building traditions. After
Ataturk's death in 1938, the initial revolutionary spirit in
Turkish architectural culture gave way to nationalist trends in
German and Italian architecture and to the inspiration of Central
Asian and pre-Islamic Turkish monuments. The resulting departure
from the distinct modernist aesthetic of the early 1930s toward a
more classicized and monumental architecture representative of
state power brought this heroic era of modern Turkish history to a
close. Today, when Turkey's project of modernity is being
critically reevaluated from many perspectives, this comprehensive
survey of Kemalism's architectural legacy is timely and
provocative.
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