Felix Mendelssohn is one of the most celebrated figures of the
early Romantic period. As a composer of sacred texts, he is chiefly
remembered today for the oratorios Paulus (1836) and Elijah (1846).
In this groundbreaking study, Siegwart Reichwald offers a
meticulous analysis of Paulus, beginning with a general overview of
the oratorio traditions of the early nineteenth century. He details
the phases of the compositional process of Paulus as well as
principles governing its development. Numerous musical examples,
figures, and tables accompany the text. This thorough treatment of
Paulus, while shedding light on Mendelssohn's approach to the
oratorio and to sacred music in general, will be of interest to
students of musicology.
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