First published in 1989. This study explores Italian attitudes to
opera while Vincenzo Bellini was studying and composing. It draws
mainly on Italian critical and aesthetic writing dating from the
end of an era that was still dominated by the Italian bel canto.
Many of the writers considered are unfamiliar today, but they
express the accepted views on music, opera, and singing that
dominated a particularly insular tradition. This title will be of
interest to students of Italian and Music History.
General
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