Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)
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The Italian Solo Concerto, 1700-1760 - Rhetorical Strategies and Style History (Hardcover, New)
Loot Price: R2,590
Discovery Miles 25 900
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The Italian Solo Concerto, 1700-1760 - Rhetorical Strategies and Style History (Hardcover, New)
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The composition of the solo concerto studied as an evolving debate
(rather than a static technique), and for its stylistic features.
The solo concerto, a vast and important repertory of the early to
mid eighteenth century, is known generally only through a dozen
concertos by Vivaldi and a handful of works by Albinoni and
Marcello. The authors aim to bring thisrepertory to greater
prominence and have, since 1995, been involved in a research
programme of scoring and analysing over nine hundred concertos,
representing nearly the entire repertory available in early prints
and manuscripts.Drawing on this research, they present a detailed
study and analysis of the first-movement ritornello form, the
central concept that enabled composers to develop musical thinking
on a large scale. Their approach is firstly to present the
ritornello form as a rhetorical argument, a musical process that
dynamically unfolds in time; and secondly to challenge notions of a
linear stylistic development from baroque to classical, instead
discovering composers trying out different options, which might
themselves become norms against which new experiments could be
made. SIMON McVEIGH is Professor of Music, Goldsmiths College,
University of London; JEHOASH HIRSHBERG is Professor in the
Musicology Department, Hebrew University of Jerusalem.
General
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