Sophocles' Oedipus Tyrannus is the most famous of ancient
tragedies and a literary masterpiece. It is not, however, the only
classical dramatization of Oedipus' quest to discover his identity.
Between four and five hundred years after Sophocles' play was first
performed, Seneca composed a fine, but neglected and often
disparaged Latin tragedy on the same subject, which, in some ways,
comes closer to our common understanding of the Oedipus myth. Now,
modern readers can compare the two versions, in new translations by
Frederick Ahl.
Balancing poetry and clarity, yet staying scrupulously close to
the original texts, Ahl's English versions are designed to be both
read and performed, and are alert to the literary and historical
complexities of each. In approaching Sophocles anew, Ahl is careful
to preserve the richly allusive nature and rhetorical power of the
Greek, including the intricate use of language that gives the
original its brilliant force. For Ahl, Seneca's tragedy is vastly
and intriguingly different from that of Sophocles, and a poetic
masterpiece in its own right. Seneca takes us inside the mind of
Oedipus in ways that Sophocles does not, making his inner conflicts
a major part of the drama itself in his soliloquies and asides.
Two Faces of Oedipus opens with a wide-ranging introduction that
examines the conflicting traditions of Oedipus in Greek literature,
the different theatrical worlds of Sophocles and Seneca, and how
cultural and political differences between Athenian democracy and
Roman imperial rule affect the nature and conditions under which
the two tragedies were composed. This book brings two dramatic
traditions into conversation while providing elegant, accurate, and
exciting new versions of Sophocles' and Seneca's tragedies.
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