Most music we hear comes to us via a recording medium on which
sound has been stored. Such remoteness of music heard from music
made has become so commonplace it is rarely considered.
Musical Performance: A Philosophical Study considers the
implications of this separation for live musical performance and
music-making. Rather than examining the composition or perception
of music as most philosophical accounts of music do, Stan
Godlovitch takes up the problem of how the tradition of active
music playing and performing has been challenged by technology and
what problems this poses for philosophical aesthetics. Where does
does the value of musical performance lie? Is human performance of
music a mere transfer medium? Is the performance of music more
expressive than recorded music? Musical Performance poses questions
such as these to develop a fascinating account of music today.
musicians - but via some recording medium on which sound has been
stored.
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