This book analyzes representative works of African American
fiction, film, and music in which interracial desire appears in the
context of same sex desire. In close readings of these "texts,"
Stefanie K. Dunning explores the ways in which the interracial
intersects with queerness, blackness, whiteness, class, and black
national identity. She shows that representations of interracial
desire do not follow the logic of racial exclusion. Instead they
are metaphorical and anti-biological. Rather than diluting race,
interracial desire makes race visible. By invoking the interracial,
black gay and lesbian artists can remake our conception of
blackness.
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