One of the striking features of AFaust IIA is the way Goethe has
incorporated a multiplicity of knowledge elements into this work of
his old age. The study examines the function of this abundance of
allusions, coining the term 'archival poetology' to designate the
process of creative alienation and knowledge acquisition involved.
In so doing, it concentrates on three aspects. First it relates
Goethe's approach to the history of knowledge and science at the
time. Subsequently it inquires into the procedure employed in
poeticizing the knowledge referred to, and finally it enlarges on
the poetological function of this knowledge.
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