Lavish musical soundtracks contributed a special grandeur to the
new widescreen, stereophonic sound movie experience of postwar
biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis.
In Epic Sound, Stephen C. Meyer shows how music was utilized for
various effects, sometimes serving as a vehicle for narrative plot
and at times complicating biblical and cinematic interpretation. In
this way, the soundscapes of these films reflected the ideological
and aesthetic tensions within the genre, and more generally, within
postwar American society. By examining key biblical films, Meyer
adeptly engages musicology with film studies to explore cinematic
interpretations of the Bible during the 1940s through the
1960s.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!