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The Fabric of Interface - Mobile Media, Design, and Gender (Hardcover)
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The Fabric of Interface - Mobile Media, Design, and Gender (Hardcover)
Series: The Fabric of Interface
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Tracing the genealogy of our physical interaction with mobile
devices back to textile and needlecraft culture. For many of our
interactions with digital media, we do not sit at a keyboard but
hold a mobile device in our hands. We turn and tilt and stroke and
tap, and through these physical interactions with an object we make
things: images, links, sites, networks. In The Fabric of Interface,
Stephen Monteiro argues that our everyday digital practice has
taken on traits common to textile and needlecraft culture. Our
smart phones and tablets use some of the same skills-manual
dexterity, pattern making, and linking-required by the handloom,
the needlepoint hoop, and the lap-sized quilting frame. Monteiro
goes on to argue that the capacity of textile metaphors to describe
computing (weaving code, threaded discussions, zipped files,
software patches, switch fabrics) represents deeper connections
between digital communication and what has been called "homecraft"
or "women's work." Connecting networked media to practices that
seem alien to media technologies, Monteiro identifies handicraft
and textile techniques in the production of software and hardware,
and cites the punched cards that were read by a loom's rods as a
primitive form of computer memory; examines textual and visual
discourses that position the digital image as a malleable fabric
across its production, access, and use; compares the digital labor
of liking, linking, and tagging to such earlier forms of collective
production as quilting bees and piecework; and describes how the
convergence of intimacy and handiwork at the screen interface,
combined with needlecraft aesthetics, genders networked culture and
activities in unexpected ways.
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