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African Culture and Melville's Art - The Creative Process in Benito Cereno and Moby-Dick (Hardcover)
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African Culture and Melville's Art - The Creative Process in Benito Cereno and Moby-Dick (Hardcover)
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Although Herman Melville's masterworks Moby-Dick and Benito Cereno
have long been the subject of vigorous scholarly examination, the
impact of African culture on these works has received surprisingly
little critical attention. Presenting a groundbreaking reappraisal
of these two powerful pieces of fiction, Sterling Stuckey reveals
how African customs and rituals heavily influenced one of America's
greatest novelists.
The Melville that emerges in this innovative, intertextual study
is one profoundly shaped by the vibrant African-influenced music
and dance culture of nineteenth-century America. Drawing on
extensive research, Stuckey reveals how celebrations of African
culture by black Americans, such as the Pinkster festival and the
Ring Shout dance form, permeated Melville's environs during his
formative years and found their way into his finest fiction. Also
demonstrated is the extent to which the author of Moby-Dick is
indebted to Frederick Douglass's depiction of music, especially the
blues, in his classic slave narrative. Connections between
Melville's work and African culture are also extended beyond
America to the African continent itself. With readings of hitherto
unexplored chapters in Delano's Voyages and Travels in the Northern
and Southern Hemispheres and other nonfiction sources--such as
Joseph Dupuis's Journal of a Residence in Ashantee--Stuckey links
Benito Cereno and Moby-Dick, pinpointing the sources from which
Melville drew to fashion major characters that appear aboard both
the Pequod and the San Dominick.
Combining inventive literary and historical analysis, Stuckey
shows how myriad aspects of African culture coalesced to create the
unique vision conveyed inMoby-Dick and Benito Cereno. Ultimately,
African Culture and Melville's Art provides a wealth of insight
into the novelist's expressive power and the development of his
distinct cross-cultural aesthetic.
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