Color remains one of the few uncharted territories in writing about
film style. "Colour "is the first monograph to deal with the close
criticism of film colour across decades and countries. Through
detailed explorations of films such as "Three Colours: White and
The Green Ray," this study offers a way of approaching,
interpreting, and appreciating cinematic color. The book also
considers film's ability to place color in a shifting relationship
with all other points of style including camerawork, editing,
performance, music, and lighting. Accessible and inventive in its
approach, "Colour" invites the reader to see films differently,
providing a fresh perspective of this overlooked element of cinema
aesthetics.
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