This lucid and perceptive study subjects the Emily Bronte myth to
radical scrutiny, questioning the validity of memorabilia and
eye-witness accounts. Contrasting her art with the daguerreotype
realism coming into vogue in the 1840's, Stevie Davies reads Emily
Bronte's life in terms of her own image of landmarks buried or
half-buried beneath drifting snow which disguises or betrays
underlying realities. A radical reading of Wuthering Heights
explores it as a poet's and musician's novel, which can be 'scored'
as in opera or the piano transcriptions of symphonies, which Emily
Bronte possessed and played. Close study of her sheet music; her
germinal Brussels essays; books and journals in her possession; and
translations into European languages will demonstrate the
phenomenal intellectual range, originality and acuity of an author
who can be regarded as a European.
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