This is the first full-length study of Jeanette Winterson's
complete oeuvre, offering detailed analysis of her nine novels as
well as addressing her non-fiction and minor fictional work. Susana
Onega combines the study of formal issues such as narrative
structure, perspective and point of view with thematic analyses
approached from a variety of theoretical perspectives, from
narratology and feminist theory to Hermetic and Kabalistic
symbolism, to provide a comprehensive 'vertical' analysis of
Winterson's novels. Onega reveals the books as complex linguistic
artefacts, crammed with intertextual echoes. She demonstrates the
inseparability of form and meaning within Winterson's work, and
positions her within the wider context of contemporary British
fiction alongside fellow visionaries such as Peter Ackroyd, Maureen
Duffy and Marina Warner. -- .
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