This new addition to the AFI Film Readers series brings together
original scholarship on animation in contemporary moving image
culture, from classic experimental and independent shorts to
digital animation and installation. The collection - that is also a
philosophy of animation - foregrounds new critical perspectives on
animation, connects them to historical and contemporary
philosophical and theoretical contexts and production practice, and
expands the existing canon. Throughout, contributors offer an
interdisciplinary roadmap of new directions in film and animation
studies, discussing animation in relationship to aesthetics,
ideology, philosophy, historiography, visualization, genealogies,
spectatorship, representation, technologies, and material
culture.
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