From the bestselling "Bridget Jones's Diary "that started the
trend to the television sensation "Sex and the City "that captured
it on screen, "chick lit" has become a major pop culture
phenomenon. Banking on female audiences' identification with
single, urban characters who struggle with the same life
challenges, publishers have earned millions and even created
separate imprints dedicated to the genre. Not surprisingly, some
highbrow critics have dismissed chick lit as trashy fiction, but
fans have argued that it is as empowering as it is
entertaining.
This is the first volume of its kind to examine the chick lit
phenomenon from a variety of angles, accounting for both its
popularity and the intense reactions-positive and negative-it has
provoked. The contributors explore the characteristics that cause
readers to attach the moniker "chick" to a particular book and
what, if anything, distinguishes the category of chick lit from the
works of Jane Austen on one end and Harlequin romance novels on the
other. They critique the genre from a range of critical
perspectives, considering its conflicted relationship with feminism
and postfeminism, heterosexual romance, body image, and
consumerism. The fourteen original essays gathered here also
explore such trends and subgenres as "Sistah Lit," "Mommy Lit," and
"Chick Lit Jr.," as well as regional variations.
As the first book to consider the genre seriously, " Chick Lit"
offers real insight into a new generation of women's fiction.
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