In an innovative and wide-ranging collection of essays, The
Performing Century looks at modes of performance and forms of
theatre in Nineteenth-century Britain and Ireland. From the vogue
for fairy plays to the acting styles of melodrama, from the work of
a single impresario to the nature of a genre, from ship-launches in
Belfast to royal weddings in England, from the representation of
economics to the work of a parliamentary committee in regulating
theatres, the authors bring new perspectives on familiar material
and radically redefine what theatre and performance in the
Nineteenth century might be.
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