"Sexuality and Its Queer Discontents in Middle English
Literature" exposes the ways in which ostensibly normative
sexualities depend upon queerness to shore up their claims of
privilege. Through readings of such classic texts as "The
Canterbury Tales, Pearl, Amis and Amiloun," and "Eger and Grime,"
Tison Pugh explains how sexual normativity can often be claimed
only after queerness has been rejected, no matter how appealing
such queerness might remain at the story's end. Masculinity itself
is thus revealed to be a queer performance, one which heroic
protagonists of medieval narratives embody while nonetheless
highlighting its constricting limitations.
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