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Mestizo Modernism - Race, Nation and Identity in Latin American Culture, 1900-1940 (Paperback)
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Mestizo Modernism - Race, Nation and Identity in Latin American Culture, 1900-1940 (Paperback)
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We use the term ""modernism"" almost exclusively to characterize
the work of European and American writers and artists who struggled
to portray a new kind of fractured urban life typified by
mechanization and speed. Between the 1880s and 1930s, Latin
American artists were similarly engaged - but with a difference.
While other modernists drew from ""primitive"" cultures for an
alternative sense of creativity, Latin American modernists were
taking a cue from local sources, primarily indigenous and black
populations in their own countries. Although these artists remained
outsiders to modernism elsewhere as a result of their race, nation,
and identity, their racial heritage served as a positive tool in
negotiating their relationship to the dichotomy between tradition
and modernity. In Mestizo Modernism Tace Hedrick focuses on four
key artists who represent Latin American modernism - Peruvian poet
Cesar Vallejo, Chilean poet Gabriela Mistral, Mexican muralist
Diego Rivera, and Mexican artist Frida Kahlo. Hedrick interrogates
what being ""modern"" and ""American"" meant for them and
illuminates the cultural contexts within which they worked, as well
as the formal methods they shared, including the connection they
drew between ancient cultures and modern technologies. In so doing,
she defines ""modernism"" more as a time frame at the turn of the
twentieth century, marked broadly across the arts and national
boundaries, than as a strict aesthetic or formal category. In fact,
this look at Latin American artists will force the
reconceptualization of what modernism has meant in academic study
and what it might mean for future research.
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