A terrifying sound disturbs the peace of Hansuli Turn, a forest
village in Bengal, and the community splits as to its meaning. Does
it herald the apocalyptic departure of the gods or is there a more
rational explanation? The Kahars, inhabitants of Hansuli Turn,
belong to an untouchable "criminal tribe" soon to be epically
transformed by the effects of World War II and India's independence
movement. Their headman, Bonwari, upholds the ethics of an older
time, but his fragile philosophy proves no match for the
overpowering machines of war. As Bonwari and the village elders
come to believe the gods have abandoned them, younger villagers led
by the rebel Karali look for other meanings and a different way of
life.
As the two factions fight, codes of authority, religion, sex,
and society begin to break down, and amid deadly conflict and
natural disaster, Karali seizes his chance to change his people's
future. Sympathetic to the desires of both older and younger
generations, Tarashankar Bandyopadhyay depicts a difficult
transition in which a marginal caste fragments and mutates under
the pressure of local and global forces. The novel's handling of
the language of this rural society sets it apart from other works
of its time, while the village's struggles anticipate the dilemmas
of rural development, ecological and economic exploitation, and
dalit militancy that would occupy the center of India's
post-Independence politics.
Negotiating the colonial depredations of the 1939--45 war and
the oppressions of an agrarian caste system, the Kahars both fear
and desire the consequences of a revolutionized society and the
loss of their culture within it. Lyrically rendered by one of
India's great novelists, this story of one people's plight
dramatizes the anxieties of a nation and the resistance of some to
further marginalization.
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