How does 19th-century literature concerned with creatures, animals
and humans who are not permitted to be properly human also produce
such gruesome, strange, abject citizens alongside techno-urban
systems like the meat industry, the popular serial press and even
in rights movements? Through formal analysis of subjection,
address, and narration in canonical and penny literatures, this
book reveals the mutual forces of concern and consumption that
afflict objects of a weird cultural history of bloody London across
the long 19th century.
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