Who gets to say what counts as contemporary art? Artists,
critics, curators, gallerists, auctioneers, collectors, or the
public? Revealing how all of these groups have shaped today's
multifaceted definition, Terry Smith brilliantly shows that an
historical approach offers the best answer to the question: "What
is Contemporary Art?"
Smith argues that the most recognizable kind is characterized by
a return to mainstream modernism in the work of such artists as
Richard Serra and Gerhard Richter, as well as the
retro-sensationalism of figures like Damien Hirst and Takashi
Murakami. At the same time, Smith reveals, postcolonial artists are
engaged in a different kind of practice: one that builds on local
concerns and tackles questions of identity, history, and
globalization. A younger generation embodies yet a third approach
to contemporaneity by investigating time, place, mediation, and
ethics through small-scale, closely connective art making. Inviting
readers into these diverse yet overlapping art worlds, Smith offers
a behind-the-scenes introduction to the institutions, the
personalities, the biennials, and of course the works that together
are defining the contemporary. The resulting map of where art is
now illuminates not only where it has been but also where it is
going.
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