First published in 1982, this book provides a descriptive and
comparative study of some of the fundamental structural aspects of
modernist poetic writing in English, French and German in the first
decades of the twentieth century. The work concerns itself
primarily with basic structural elements and techniques and the
assumptions that underlie and determine the modernist mode of
poetic writing. Particular attention is paid to the theories
developed by authors and to the essential 'principles of
construction' that shape the structure of their poetry. Considering
the work of a number of modernist poets, Theo Hermans argues that
the various widely divergent forms and manifestations of
modernistic poetry writing can only be properly understood as part
of one general trend.
General
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