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Roman Poets in Modern Guise - The Reception of Roman Poetry since World War I (Hardcover)
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Roman Poets in Modern Guise - The Reception of Roman Poetry since World War I (Hardcover)
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Identifies and explores Roman modes of poetry as received by
twentieth- and twenty-first-century Anglo-American, German, and
French poets. Analogies with Rome have been a powerful motif in
American thought - and poetry - since the Founding Fathers. They
resurged in the twentieth century, and especially after World War
II, when the US saw its mission as analogous to that of Augustan
Rome - a theme conspicuous in Robert Frost's poem for the Kennedy
inauguration, which prophesied "The glory of a next Augustan age."
This theme showed up in the poetry of other countries too. The
Roman mode that Frost proclaimed was evident in not only American,
but also French and German treatments of Virgil's Eclogues. Horace
figures in poets from Bertolt Brecht and Ezra Pound down to James
Wright. The Augustan poets were displaced during the more cynical
postwar years by their Republican counterparts: the poet/scientist
Lucretius (especially in Germany), the poet/lover Catullus, and the
outsider Propertius. And the poets of the empire - Ovid, Seneca,
and Juvenal - added certain dissonances to the Roman harmony. In a
period when all the arts have looked increasingly to the past for
models, the Roman poets have offered modern ones a wide variety of
attitudes - from the patriotic fervor of Virgil and Horace to the
cultural cynicism of Juvenal. All these tones are evident in the
Anglo-American, German, and French examples discussed in this book.
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