For three decades, award-winning independent filmmaker Todd Haynes,
who emerged in the early 1990s as a foundational figure in New
Queer Cinema, has gained critical recognition for his outsider
perspective. Today, Haynes is widely known for bringing women’s
stories to the screen. Analyzing Haynes’s films
including Safe (1995), Velvet Goldmine (1998), Far from
Heaven (2002), and Carol (2015), as well as his unauthorized
Karen Carpenter biopic, Superstar (1987), and the television
miniseries Mildred Pierce (2011), the contributors to Reframing
Todd Haynes reassess his work in light of his long-standing
feminist commitments and his exceptional career as a director of
women’s films. They present multiple perspectives on Haynes’s
film and television work and on his role as an artist-activist who
draws on academic theorizations of gender and cinema. The volume
illustrates the influence of feminist theory on Haynes’s
aesthetic vision, most evident in his persistent interest in the
political and formal possibilities afforded by the genre of the
woman’s film. The contributors contend that no consideration of
Haynes’s work can afford to ignore the crucial place of feminism
within it. Contributors. Danielle Bouchard, Nick Davis, Jigna
Desai, Mary R. Desjardins, Patrick Flanery, Theresa L. Geller,
Rebecca M. Gordon, Jess Issacharoff, Lynne Joyrich, Bridget Kies,
Julia Leyda, David E. Maynard, Noah A. Tsika, Patricia White,
Sharon Willis
General
Imprint: |
Duke University Press
|
Country of origin: |
United States |
Series: |
A Camera Obscura book |
Release date: |
April 2022 |
First published: |
2022 |
Editors: |
Theresa L. Geller
• Julia Leyda
|
Dimensions: |
229 x 152mm (L x W) |
Format: |
Hardcover - Cloth over boards
|
Pages: |
360 |
ISBN-13: |
978-1-4780-1539-0 |
Categories: |
Books
|
LSN: |
1-4780-1539-X |
Barcode: |
9781478015390 |
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