Although today in France church attendance is minimal, when
death occurs many families still cling to religious rites. In
exploring this common reaction to one of the most painful aspects
of existence, Thomas Kselman turns to nineteenth-century French
beliefs about death and the afterlife not only to show how deeply
rooted the cult of the dead is in one Western society, but how
death and the behavior of mourners have been politicized in the
modern world. Drawing on sermons preached in rural and urban
parishes, folktales, and accounts of seances, the author vividly
re-creates the social and cultural context in which most French
people responded to death and dealt with anxieties about the self
and its survival. Inspired mainly by Catholicism, beliefs about
death provided a social basis for moral order throughout the
nineteenth century and were vulnerable to manipulation by public
officials and clergy. Kselman shows, however, that by mid-century
the increase in urbanization, capitalism, family privacy, and
expressed religious differences generated diverse attitudes toward
death, causing funerals to evolve from Catholic neighborhood
rituals into personalized symbolic events for Catholics and
dissenters alike--the civil burial of Victor Hugo being perhaps the
greatest symbol of rebellion. Kselman's discussion of the growth of
commercial funerals and innovations in cemetery administration
illuminates a new struggle for control over funeral arrangements,
this time involving businessmen, politicians, families, and clergy.
This struggle in turn demonstrates the importance of these events
for defining social identity.
Originally published in 1992.
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