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Enemies in the Plaza - Urban Spectacle and the End of Spanish Frontier Culture, 146-1492 (Hardcover)
Loot Price: R1,739
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Enemies in the Plaza - Urban Spectacle and the End of Spanish Frontier Culture, 146-1492 (Hardcover)
Series: The Middle Ages Series
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Toward the end of the fifteenth century, Spanish Christians near
the border of Castile and Muslim-ruled Granada held complex views
about religious tolerance. People living in frontier cities bore
much of the cost of war against Granada and faced the greatest risk
of retaliation, but had to reconcile an ideology of holy war with
the genuine admiration many felt for individual members of other
religious groups. After a century of near-continuous truces, a
series of political transformations in Castile-including those
brought about by the civil wars of Enrique IV's reign, the final
war with Granada, and Fernando and Isabel's efforts to reestablish
royal authority-incited a broad reaction against religious
minorities. As Thomas Devaney shows, this active hostility was
triggered by public spectacles that emphasized the foreignness of
Muslims, Jews, and recent converts to Christianity. Enemies in the
Plaza traces the changing attitudes toward religious minorities as
manifested in public spectacles ranging from knightly tournaments,
to religious processions, to popular festivals. Drawing on
contemporary chronicles and municipal records as well as literary
and architectural evidence, Devaney explores how public pageantry
originally served to dissipate the anxieties fostered by the
give-and-take of frontier culture and how this tradition of
pageantry ultimately contributed to the rejection of these
compromises. Through vivid depictions of frontier personalities,
cities, and performances, Enemies in the Plaza provides an account
of how public spectacle served to negotiate and articulate the
boundaries between communities as well as to help Castilian nobles
transform the frontier's religious ambivalence into holy war.
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