"Pre-Code Hollywood" explores the fascinating period in American
motion picture history from 1930 to 1934 when the commandments of
the Production Code Administration were violated with impunity in a
series of wildly unconventional films -- a time when censorship was
lax and Hollywood made the most of it. Though more unbridled,
salacious, subversive, and just plain bizarre than what came
afterwards, the films of the period do indeed have the look of
Hollywood cinema -- but the moral terrain is so off-kilter that
they seem imported from a parallel universe.
In a sense, Doherty avers, the films of pre-Code Hollywood "are"
from another universe. They lay bare what Hollywood under the
Production Code attempted to cover up and push offscreen: sexual
liaisons unsanctified by the laws of God or man, marriage ridiculed
and redefined, ethnic lines crossed and racial barriers ignored,
economic injustice exposed and political corruption assumed, vice
unpunished and virtue unrewarded -- in sum, pretty much the raw
stuff of American culture, unvarnished and unveiled.
No other book has yet sought to interpret the films and
film-related meanings of the pre-Code era -- what defined the
period, why it ended, and what its relationship was to the country
as a whole during the darkest years of the Great Depression... and
afterward.
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