Since cinema has entered the digital era, its very nature has come
under renewed scrutiny. Countering the 'death of cinema' debate,
Film History as Media Archaeology presents a robust argument for
the cinema's current status as a new epistemological object, of
interest to philosophers, while also examining the presence of
moving images in the museum and art spaces as a challenge for art
history. The current study is the fruit of some twenty years of
research and writing at the interface of film history, media theory
and media archaeology by one of the acknowledged pioneers of the
'new film history' and 'media archaeology'. It joins the efforts of
other media scholars to locate cinema's historical emergence and
subsequent transformations within the broader field of media change
and interaction, as we experience them today.
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