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Books > Language & Literature > Literature: texts > Drama texts, plays > From 1900 > Film & television screenplays
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The Writing Dead - Talking Terror with TV'S Top Horror Writers (Hardcover)
Loot Price: R3,156
Discovery Miles 31 560
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The Writing Dead - Talking Terror with TV'S Top Horror Writers (Hardcover)
Series: Television Conversations Series
Expected to ship within 10 - 15 working days
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The Writing Dead features original interviews with the writers of
today's most frightening and fascinating shows. They include some
of television's biggest names--Carlton Cuse (Lost and Bates Motel),
Bryan Fuller (Hannibal, Dead Like Me, Wonderfalls, and Pushing
Daisies), David Greenwalt (Angel and Grimm), Gale Anne Hurd (The
Walking Dead, The Terminator series,Aliens, and The Abyss), Jane
Espenson (Buffy the Vampire Slayer and Battlestar Galactica), Brian
McGreevy (Hemlock Grove), Alexander Woo (True Blood), James Wong
(The X-Files, Millennium, American Horror Story, and Final
Destination), Frank Spotnitz (The X-Files and Millennium), Richard
Hatem (Supernatural, The Dead Zone, and The Mothman Prophecies),
Scott Buck (Dexter), Anna Fricke (Being Human), and Jim Dunn
(Haven). The Writing Dead features thought-provoking,
never-before-published interviews with these top writers and gives
the creators an opportunity to delve more deeply into the subject
of television horror than anything found online. In addition to
revealing behind-the-scene glimpses, these writers discuss favorite
characters and storylines and talk about what they find most
frightening. They offer insights into the writing process
reflecting on the scary works that influenced their careers. And
they reveal their own personal fascinations with the genre. The
thirteen interviews in The Writing Dead also mirror the changing
landscape of horror on TV--from the shows produced by major
networks and cable channels to shows made exclusively for online
streaming services such as Netflix and Amazon Studios. The Writing
Dead will appeal to numerous fans of these shows, to horror fans,
to aspiring writers and filmmakers, and to anyone who wants to
learn more about why we like being scared.
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