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Comic Sense - Reading Robert Coover, Stanley Elkin, Philip Roth (Paperback)
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Comic Sense - Reading Robert Coover, Stanley Elkin, Philip Roth (Paperback)
Series: International Cooper Series in English Language and Literature
Expected to ship within 10 - 15 working days
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The idea for this study came to me in the course of my reading of
innova tive US-American fiction of the last three decades. I
observed that much of it is cast in the comic mode - or, more
precisely, that there seems to be in contemporary fiction an
affinity between 'innovation' and 'the comic' and that this
affinity, furthermore, appears to be characteristic of postmo
dernism. It is obvious, at the same time, that comic has become an
elusive and, more often than not, a disputable category. Frederick
Karl, in his sur vey of American Fictions 1940-1980, maintains, for
instance, that much comic writing consists in ridicule that lacks
deeper intellectual and cul tural roots. "Wit and mockery," he
notes, "by themselves have little lasting value. Even in the best
of such fiction, Gravity's Rainbow, one is made aware of attenuated
skits stiched onto previous segments, rather than baked in by a
defined point of view. " (Karl: 27) Such assessments of course
challenge my view that the comic is in significant ways connected
with what is innovative in postmodernist US-American fiction. Yet
the term comic -or related terms like humour, parody, irony and so
fort- is regularly and heavily employed in discussions or reviews
of con temporary fiction."
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