One of the most enduring characters in Thomas Wolfe's fiction is
Francis Starwick, the Midwestern aesthete who befriends Eugene
Grant at Harvard in Wolfe's second autobiographical novel, Of Time
and the River. Wolfe created Starwick in order to provide a foil
for the artistic development of Eugene: Starwick was the
pretentious, narrow-minded dilettante whose response to the arts is
all talk and pose, as compared with Eugene, who hopes to express in
writing his intensity of feeling about all aspects of life
While writing the novel, however, Wolfe found his manuscript
proliferating beyond his control, and he turned to his editor at
Scribner's Maxwell Perkins, for help in shaping the final version
of the book. In the process of organizing the massive manuscript
for publication, Perkins deleted some of the analyses of Starwick's
behavior and several of the episodes involving Eugene and Starwick.
The result was that the relationship between the two young men was
not as fully developed as Wolfe had originally planned.
Richard S. Kennedy discovered these excised passages among the
Wolfe papers at Harvard University's Houghton Library. In The
Starwick Episodes has arranged them sequentially and indicated
their position in the original manuscript. IN one of them Starwick
introduces Eugene to Joyce's Ulysses, and in another he takes him
to view the paintings in Boston' Museum of Fine Arts. Additional
scenes find the two exploring the lower depts. Of Paris until at
length their true sexual natures are revealed in a visit to a
Parisian brothel.
Kennedy's research also uncovered the story of the life of
Kenneth Raisbeck, the young man whom Wolfe used as the starting
point for his fictional creation of Starwick. In his Introduction,
Kennedy describes Raisbeck's career, both its brilliant promise and
its tragic end, and his similarity to the character in the
novel.
The presence of Starwick in Of Time and the River is
unforgettable despite the omission of some important scenes that
Wolfe wrote for him. With the publication now of the deleted
episodes, readers may gain an enriched sense of Wolfe's fascinating
creation and a fuller understanding of what he was trying to
convey.
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