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Baroque Naturalism in Benjamin and Deleuze - The Art of Least Distances (Hardcover, 1st ed. 2021)
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Baroque Naturalism in Benjamin and Deleuze - The Art of Least Distances (Hardcover, 1st ed. 2021)
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This book, itself a study of two books on the Baroque, proposes a
pair of related theses: one interpretive, the other argumentative.
The first, enveloped in the second, holds that the significance of
allegory Gilles Deleuze recognized in Walter Benjamin's 1928
monograph on seventeenth century drama is itself attested in key
aspects of Kantian, Leibnizian, and Platonic philosophy (to wit, in
the respective forms by which thought is phrased, predicated, and
proposed).The second, enveloping the first, is a literalist claim
about predication itself - namely, that the aesthetics of agitation
and hallucination so emblematic of the Baroque sensibility (as
attested in its emblem-books) adduces an avowedly metaphysical
'naturalism' in which thought is replete with predicates. Oriented
by Barbara Cassin's development of the concerted sense in which
homonyms are critically distinct from synonyms, the philosophical
claim here is that 'the Baroque' names the intervallic [ ] relation
that thought establishes between things. On this account, any
subject finds its unity in a concerted state of disquiet - a
state-rempli in which, phenomenologically speaking, experience
comprises as much seeing as reading (as St Jerome encountering
Origen's Hexapla).
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