In "Ruthless Democracy," Timothy Powell reimagines the canonical
origins of "American" identity by juxtaposing authors such as
Hawthorne, Melville, and Thoreau with Native American, African
American, and women authors. Taking his title from Melville, Powell
identifies an unresolvable conflict between America's multicultural
history and its violent will to monoculturalism. Powell challenges
existing perceptions of the American Renaissance--the period at the
heart of the American canon and its evolutions--by expanding the
parameters of American identity.
Drawing on the critical traditions of cultural studies and new
historicism, Powell invents a new critical paradigm called
"historical multiculturalism." Moving beyond the polarizing
rhetoric of the culture wars, Powell grounds his multicultural
conception of American identity in careful historical analysis.
"Ruthless Democracy" extends the cultural and geographical
boundaries of the American Renaissance beyond the northeast to
Indian Territory, Alta California, and the transnational sphere
that Powell calls the American Diaspora. Arguing for the inclusion
of new works, Powell envisions the canon of the American
Renaissance as a fluid dialogue of disparate cultural voices.
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