Having set global warming in irreversible motion, we are facing the
possibility of ecological catastrophe. But the environmental
emergency is also a crisis for our philosophical habits of thought,
confronting us with a problem that seems to defy not only our
control but also our understanding. Global warming is perhaps the
most dramatic example of what Timothy Morton calls
"hyperobjects"--entities of such vast temporal and spatial
dimensions that they defeat traditional ideas about what a thing is
in the first place. In this book, Morton explains what hyperobjects
are and their impact on how we think, how we coexist with one
another and with nonhumans, and how we experience our politics,
ethics, and art.
Moving fluidly between philosophy, science, literature, visual
and conceptual art, and popular culture, the book argues that
hyperobjects show that the end of the world has already occurred in
the sense that concepts such as world, nature, and even environment
are no longer a meaningful horizon against which human events take
place. Instead of inhabiting a world, we find ourselves inside a
number of hyperobjects, such as climate, nuclear weapons,
evolution, or relativity. Such objects put unbearable strains on
our normal ways of reasoning.
Insisting that we have to reinvent how we think to even begin to
comprehend the world we now live in, "Hyperobjects" takes the first
steps, outlining a genuinely postmodern ecological approach to
thought and action.
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