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Persons, Roles, and Minds - Identity in Peony Pavilion and Peach Blossom Fan (Paperback)
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Persons, Roles, and Minds - Identity in Peony Pavilion and Peach Blossom Fan (Paperback)
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Focusing on two late-Ming or early-Qing plays central to the
Chinese canon, this thought-provoking study explores crucial
questions concerning personal identity. How is a person, as opposed
to a ghost or animal, to be defined? How can any specific person
(as distinguished, for example, from an impostor or twin) be
identified? Both plays are "chuanqi," representatives of a
monumental genre that represents Chinese dramatic literature at its
most complex: Tang Xianzu's "Peony Pavilion" is a romantic comedy
in 55 acts, and Kong Shangren's "Peach Blossom Fan" narrates the
fall of the Ming Dynasty in 40 acts.
No reader of Chinese literature would find a sexual encounter
between a young man and a female ghost surprising. In "Peony
Pavilion," however, the lovers actually marry and join human
society--a possibility that invites speculation on the nature of
personhood and agency. By contrast, "Peach Blossom Fan" addresses
the question of identity in an explicitly political fashion. After
the fall of Beijing, many men put forward imperial claims. Who, in
a time of turmoil, is truly the Emperor? In a Confucian society,
where hierarchy and identity are so interdependent, how does the
lack of certainty about the Emperor's identity affect all human
identities?
The question of personal identity is intrinsically bound up with
questions of agency, legal responsibility, and participation within
a polity. Confucian patriarchy, in particular, implies an anxiety
of identity: in order to serve one's father appropriately, one must
first know who he is. Drawing on related contemporary sources, the
author combines a range of perspectives, including literary
criticism, philosophy, jurisprudence, and art history.
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