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Persons, Roles, and Minds - Identity in Peony Pavilion and Peach Blossom Fan (Hardcover) Loot Price: R4,349
Discovery Miles 43 490
Persons, Roles, and Minds - Identity in Peony Pavilion and Peach Blossom Fan (Hardcover): Tina Lu

Persons, Roles, and Minds - Identity in Peony Pavilion and Peach Blossom Fan (Hardcover)

Tina Lu

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Loot Price R4,349 Discovery Miles 43 490 | Repayment Terms: R408 pm x 12*

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Focusing on two late-Ming or early-Qing plays central to the Chinese canon, this thought-provoking study explores crucial questions concerning personal identity. How is a person, as opposed to a ghost or animal, to be defined? How can any specific person (as distinguished, for example, from an impostor or twin) be identified? Both plays are "chuanqi," representatives of a monumental genre that represents Chinese dramatic literature at its most complex: Tang Xianzu's "Peony Pavilion" is a romantic comedy in 55 acts, and Kong Shangren's "Peach Blossom Fan" narrates the fall of the Ming Dynasty in 40 acts.
No reader of Chinese literature would find a sexual encounter between a young man and a female ghost surprising. In "Peony Pavilion," however, the lovers actually marry and join human society--a possibility that invites speculation on the nature of personhood and agency. By contrast, "Peach Blossom Fan" addresses the question of identity in an explicitly political fashion. After the fall of Beijing, many men put forward imperial claims. Who, in a time of turmoil, is truly the Emperor? In a Confucian society, where hierarchy and identity are so interdependent, how does the lack of certainty about the Emperor's identity affect all human identities?
The question of personal identity is intrinsically bound up with questions of agency, legal responsibility, and participation within a polity. Confucian patriarchy, in particular, implies an anxiety of identity: in order to serve one's father appropriately, one must first know who he is. Drawing on related contemporary sources, the author combines a range of perspectives, including literary criticism, philosophy, jurisprudence, and art history.

General

Imprint: Stanford University Press
Country of origin: United States
Release date: June 2002
Authors: Tina Lu
Dimensions: 229 x 152 x 25mm (L x W x T)
Format: Hardcover - Cloth / Cloth
Pages: 376
ISBN-13: 978-0-8047-3711-1
Categories: Books > Language & Literature > Literature: history & criticism > Literary theory
Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
Books > Language & Literature > Literature: history & criticism > Plays & playwrights > General
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LSN: 0-8047-3711-8
Barcode: 9780804737111

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