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On the Queerness of Early English Drama - Sex in the Subjunctive (Hardcover)
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On the Queerness of Early English Drama - Sex in the Subjunctive (Hardcover)
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Often viewed as theologically conservative, many theatrical works
of late medieval and early Tudor England nevertheless exploited the
performative nature of drama to flirt with unsanctioned expressions
of desire, allowing queer identities and themes to emerge. Early
plays faced vexing challenges in depicting sexuality, but modes of
queerness, including queer scopophilia, queer dialogue, queer
characters, and queer performances, fractured prevailing
restraints. Many of these plays were produced within male
homosocial environments, and thus homosociality served as a
narrative precondition of their storylines. Building from these
foundations, On the Queerness of Early English Drama investigates
occluded depictions of sexuality in late medieval and early Tudor
dramas. Tison Pugh explores a range of topics, including the
unstable genders of the York Corpus Christi Plays, the morally
instructive humour of excremental allegory in Mankind, the confused
relationship of sodomy and chastity in John Bale's historical
interludes, and the camp artifice and queer carnival of Sir David
Lyndsay's Ane Satyre of the Thrie Estaitis. Pugh concludes with
Terrence McNally's Corpus Christi, pondering the afterlife of
medieval drama and its continued utility in probing cultural
constructions of gender and sexuality
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