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Conrad's Trojan Horses - Imperialism, Hybridity, and the Postcolonial Aesthetic (Hardcover)
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Conrad's Trojan Horses - Imperialism, Hybridity, and the Postcolonial Aesthetic (Hardcover)
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Total price: R868
Discovery Miles: 8 680
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With references to his work appearing everywhere from the ""New
Yorker"" to The Simpsons, Joseph Conrad remains one of the
twentieth century's most widely discussed literary figures. And yet
it may be that an abundant scholarship has pigeonholed Conrad as an
early modernist. Tom Henthorne counters that Conrads work can be
best understood in relation to that of such early twentieth-century
writers as S. K. Ghosh and Solomon Plaatje postcolonialists who
developed innovative ways of cloaking their anti-imperialism when
working with British publishers. In ""Almayer's Folly"", ""An
Outcast of the Islands"", and his first short stories, Conrad
attacks imperialism overtly. Yet as he began to work with more
conservative publishers to acquire a larger, imperial audience, he
developed a Trojan Horse strategy, deliberately obfuscating his
radical politics through his use of multiple narrators, irony, free
indirect discourse, and other devices that are now associated with
modernism. Sensitive to the breadth of his prospective audience,
Henthorne offers an engaging and accessible analysis of Conrads
canon, from the early novels and short stories to the major works,
including ""The Nigger of the Narcissus"", ""Heart of Darkness"",
""Lord Jim"", and ""Nostromo"". He also considers critical
responses to Conrad and the influence Conrad has had upon modernist
and postcolonial writers.
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